Half a century after the nation freed from European dominance, Malaysian heritage experts are reported to be in an overdrive mode to bring back national wealth from overseas museums and private collectors. (NST – July 3, 08) Nevertheless, the vigorous and very expensive quest to retrieve this priceless heritage falls short to elevate Malaysia to become the proud heirloom of ancient Malay artifacts. According to the paper, topping this shopping list is Malay manuscripts circa around late 19th century and early 20th century.
These manuscripts in my best comprehension would include the various royal seals and letters from the Malay sultanates used in Treaties and official or private correspondence currently kept inside the vaults of the British libraries, museums and universities, and to a lesser extend Dutch repository.
The rationale to spend the hard earned tax payers’ money in this shopping spree while we all suffer from the escalation of cost to run the country and also the unfavorable exchange rate is most baffling. Unless, of course if we can comprehend that the Museum Department and the National Archives are now an instrument to pursue Agenda Melayu.
You don’t need to be a rocket scientist to see how such an acquisition, however costly, would be the perfect ingredients for not just heritage triumph but also a political one too.
Acquiring these long forgotten Malay treasures and finally taking these precious documents home from the foreign thieves. Follow up with the right dose from the spin doctors from the main stream media and the directors from these two institutions would be hailed as national heroes and champions of the race.
Again you don’t need college algebra to figure the difficulty or the lack of it to buy what is essentially an item listed in Museum manuals.
Taking a step further and it will be just a snap of the fingers to picture politicians especially those from the battle scarred UMNO joining the hero bandwagon.
Personally, the huge expense the Ministry of Culture, Heritage and Arts is willing to commit to this endeavor defies common sense and show what priority the Ministry is taking to safeguard Malaysian Heritage.
In my posting Conquer Culture Coup – Jul 23, 08, I urged the same Ministry to revalue its priority and focus to live up to its much acclaimed role as the repository of MALAYSIAN heritage. Valueless Peranakan heritage were permanently lost to Singapore when the owner in Penang was offered an amount, I guess just too hard to say NO to.
Why KEKWA officials are so adamant about fighting tooth and nail for treasures housed in some foreign institutions which are world class research centers but are somewhat less than enthusiastic about treasures while may not of the same category but definitely the same value slipped away right under our very nose. Why?
Jul 3,08
Related Articles
Priceless relics making the way home - NST –July 3,08
KUALA LUMPUR: The country's priceless relics, which were transported abroad and kept out of the country for years, are slowly being identified and brought home. Unity, Culture, Arts and Heritage Ministry deputy secretary-general (Heritage) Datuk Nor Azmal Mohd Nazir said research was ongoing to establish the authenticity of the artifacts.
"The National Heritage Department was assigned to conduct studies and research on heritage items since its formation in 2006.
"They have identified several artifacts, including relics, overseas, but formal announcements of identification are only made with clear facts and documents." He added that the Museums Department and the National Archives would also take part in the research as there were many procedures involved.
"It is not an easy task. When the artifacts are identified, they have to go through several tests and carbonisation processes. So it takes time." Azmal said, sometimes, the process of tracking down the artifacts was tough, especially when they were kept in personal collections."We can try our best to procure the artifacts, but some of the individuals ask for a very high price.
"We don't even know how the artifacts ended with them in the first place."
Last month, the New Straits Times front-paged a report on the efforts to retrieve Malay manuscripts abroad by the National Library and the National Archives.
Showing posts with label Kementerian Kebudayaan Seni dan Warisan. Show all posts
Showing posts with label Kementerian Kebudayaan Seni dan Warisan. Show all posts
Thursday, July 24, 2008
Sunday, May 25, 2008
New Look For Malaysian Heritage?
New Look for Malaysian Historical and Cultural Heritage?
The purported guardians of the Malaysian heritage will soon find themselves tasked with redefining the appropriate context for a country with the new political awakening.
This scenario may be the direct result from the recent 12th General Poll which saw the country’s minorities voicing their discontent through the ballot boxes. Key amongst their woes is the feelings that the minorities are systematically sidelined from the mainstream of Malaysia’s political, economical, and educational sectors.
Nevertheless, it is perhaps timely too that calls made by those who won in the elections championing the fight for justice and equality in the political arenas should entails similar voice calling for greater but more importantly equal representation in matters constituting minority cultural heritage and their historical contribution to this nation.
Only through an earnest and strong effort brought forth by this new political reality can the fate of minorities in Malaysia see light at the end of the tunnel. This noble quest will offer deserving minorities and their forefathers whose forgotten sacrifices made through the generations be recognized and accorded the rightful place in Malaysian History.
Visit Muzium Negara and the State Museums in this country (with the exception of a handful like in Penang), and you are bound to be confronted with a dire situation where exhibit highlights on minorities’ history, culture and social economical involvement is almost non existence and if they are, the exhibits are mere patronizing and left you with a foul aftertaste. Nothing is more infuriating when you come face-to-face with minority related exhibitions that sorely lack research and depths, and insult our intelligence.
State Museum Boards in Melaka, Selangor and Negeri Sembilan, are in my view the top culprits in marginalizing minority communities in their choice of exhibits. PERZIM of Melaka for example, has over the years founded and built more than ten separately themed museums. A few were runaway success with tourists flocking for ample photography opportunity yet none focus any significant feature on the state’s rich and diverse communities like the Peranakan and the Portuguese.
Recent development in Singapore is another great concern to Malaysians who love our heritage. While Malaysia profusely claims to be the cradle of Baba and Nyonya heritage, the recently launched Peranakan Museum in downtown Singapore opened its door to a few surprises. Featured prominently in its main collection and a pride of its curator is the jaw dropping ancestral Baba Nyonya wares and artefacts from Penang!
This event is tantamount to a Cultural coup and should serve as an alarm to our heritage amnesia guardians. Malaysians can ill afford to have its priceless heritage sold to the highest bidder and let it fell into foreigner’s hands. All of us bear some of the blame too and we must seek answers on why and what happened to the much hyped Jabatan Muzium dan Ankuiti initiative in the 90s to have the Malaysian version of a similar Peranakan Museum in the Malacca historical enclave.
This dreadful situation is also compounded by a band of cultural chauvinists who has for too long guilty of ignoring the historical development in this country. Instead, these self appointed cultural and heritage gatekeepers perpetrated historical interpretation that borders cleansing of the country multi ethnic composition.
Perhaps it is appropriate that we demand a different breed of dedicated historians and conservationists who value and ready to embrace the multi racial and multi religious components of our Malaysian Heritage. They will boldly tackle new role as the heritage and history vanguards to take diversity and historical accuracy in Malaysia to greater heights.
In turn, Malaysian museums will gradually showcase these revolutionized interpretations of our diversity and history. They will be the undisputable establishment and the perfect platform to unify and to usher in a new era of mutual understanding and learning from one and other for all Malaysians.
The purported guardians of the Malaysian heritage will soon find themselves tasked with redefining the appropriate context for a country with the new political awakening.
This scenario may be the direct result from the recent 12th General Poll which saw the country’s minorities voicing their discontent through the ballot boxes. Key amongst their woes is the feelings that the minorities are systematically sidelined from the mainstream of Malaysia’s political, economical, and educational sectors.
Nevertheless, it is perhaps timely too that calls made by those who won in the elections championing the fight for justice and equality in the political arenas should entails similar voice calling for greater but more importantly equal representation in matters constituting minority cultural heritage and their historical contribution to this nation.
Only through an earnest and strong effort brought forth by this new political reality can the fate of minorities in Malaysia see light at the end of the tunnel. This noble quest will offer deserving minorities and their forefathers whose forgotten sacrifices made through the generations be recognized and accorded the rightful place in Malaysian History.
Visit Muzium Negara and the State Museums in this country (with the exception of a handful like in Penang), and you are bound to be confronted with a dire situation where exhibit highlights on minorities’ history, culture and social economical involvement is almost non existence and if they are, the exhibits are mere patronizing and left you with a foul aftertaste. Nothing is more infuriating when you come face-to-face with minority related exhibitions that sorely lack research and depths, and insult our intelligence.
State Museum Boards in Melaka, Selangor and Negeri Sembilan, are in my view the top culprits in marginalizing minority communities in their choice of exhibits. PERZIM of Melaka for example, has over the years founded and built more than ten separately themed museums. A few were runaway success with tourists flocking for ample photography opportunity yet none focus any significant feature on the state’s rich and diverse communities like the Peranakan and the Portuguese.
Recent development in Singapore is another great concern to Malaysians who love our heritage. While Malaysia profusely claims to be the cradle of Baba and Nyonya heritage, the recently launched Peranakan Museum in downtown Singapore opened its door to a few surprises. Featured prominently in its main collection and a pride of its curator is the jaw dropping ancestral Baba Nyonya wares and artefacts from Penang!
This event is tantamount to a Cultural coup and should serve as an alarm to our heritage amnesia guardians. Malaysians can ill afford to have its priceless heritage sold to the highest bidder and let it fell into foreigner’s hands. All of us bear some of the blame too and we must seek answers on why and what happened to the much hyped Jabatan Muzium dan Ankuiti initiative in the 90s to have the Malaysian version of a similar Peranakan Museum in the Malacca historical enclave.
This dreadful situation is also compounded by a band of cultural chauvinists who has for too long guilty of ignoring the historical development in this country. Instead, these self appointed cultural and heritage gatekeepers perpetrated historical interpretation that borders cleansing of the country multi ethnic composition.
Perhaps it is appropriate that we demand a different breed of dedicated historians and conservationists who value and ready to embrace the multi racial and multi religious components of our Malaysian Heritage. They will boldly tackle new role as the heritage and history vanguards to take diversity and historical accuracy in Malaysia to greater heights.
In turn, Malaysian museums will gradually showcase these revolutionized interpretations of our diversity and history. They will be the undisputable establishment and the perfect platform to unify and to usher in a new era of mutual understanding and learning from one and other for all Malaysians.
Friday, April 25, 2008
'A Famosa' Rescued?
The Malaysian Minister of Culture, Arts and Heritage has proposed a RM12.8 million plan to ‘reconstruct’ a partial fortress wall of 'A Famosa' in Malacca.According to report -The Star, Feb 18, 07- the reconstructed wall would offer tourists a glimpse of the the original sea-front defensive wall that once guarded the Portuguese against numerous sea invasions.
It is difficult to identify where the fortress walls are today because reclamation and senseless property development have altered the sea front of the historic city and the sea is now a good distance away.
This recent development prompted vested parties to claim it as a shot in the arms for Malacca conservation but how the whole episode involving the archaeological site has been unfolding is a worthy news in itself.
The same honorable minister had on a previous occasion came to the very same spot next to Malacca River and proudly launched a grand Malacca state scheme to build a revolving viewing tower.
It will take paying tourists for a bird-eye view of the Stadhuys and the Class I historical enclave across the historical river and also remnants of 'A Famosa'.
Despite overwhelming public objections including from this writer to the proposed Viewing Tower and our valid concerns that there would be unreversable damage to the area’s historical significance, the distinguished minister vehemently defended the state authority’s decision to go ahead with the construction of revolving tower (similar to Singapore’s Carlsberg Tower in Sentosa Island).
In a bizarre twist of fate, critics of the project were vindicated when men working on the tower foundation accidentally stumbled upon structural remains of Middleburg bastion!
For the very first time, the scale of the Portuguese Fortress is emerging and this archaeological find adds weight to ancient maps depicting four other similar bastions around 'A Famosa'.Fortunately, good sense prevailed and an announcement was made, I suspected relunctantly by the parties concerned to halt the tower project. A decision quickly followed suit and the site of the viewing tower was moved assumingly to a less controversial one.
The same personnel from Perzim (Malacca Museum Board) and the Museum Department who had given the go-ahead with the Taming Sari Viewing Tower project now ironically have a new task at hand, presiding and spearheading conservation work to bring the bastion back alive.
Subsequently, Phase II will kick in and it involves a more ambitious project to ‘reconstruct’ the missing 300 meter fortress wall from same river side extending to Santiago Gate.
Reconstruction is controversial and is by no mean conservation. The Chinese has experimented with the Great Walls with devastating consequence at popular sites like Badaling near Beijing.
Ruins of the Great Walls are rebuilt based on purely academic guesses, and compromises were made at the expense of the integrity and the historical values of the Walls.
Today millions of tourists visiting there are disassociated to this fact, but they are essentially paying 40 yuan pax to merely see mock up walls catering very much to their tourist dollars.
In conservation, original artifacts i.e. rocks, manuscripts, bricks, weapons etc are the essential tools to invoke appreciation and instill better understanding for the historical subject.
Every efforts to replicate objects or materials no matter how authentic, should be the last resort to promote historical awareness and should never replace the original artifacts.
Will 'A Famosa' suffer the same fate? The answer lies with the Minister and Jabatan Muzium.
2 centuries ago -'A Famosa' or the beautiful fort, so named by the conquerer Alfonso D' Albuquerque - almost faded into oblivion until the timingly intervention by Munshi Abdullah and Sir Stamford Raffles.
Is 'A Famosa' finally enjoying the limelight it solely deserves or perhaps it is too premature to rejoice yet?
Note:
The 'Taming Sari' Revolving Tower - a RM23 million project by Perbadanan Melaka has since operated from the old Glutton's Corner. (Apr 2008)
Thursday, April 24, 2008
Culture Coup by Singapore Peranakan Museum
The new Peranakan Museum in Singapore has opened its doors to visitors(The Star-Apr 24,08) and judging by the success they have had with the Asian Civilizations Museum, it is safe bet to say that this museum housed in an old school will generate the same excitement among history bluffs and tourists. Singaporeans can be forgiven if they show a glint in their eyes over this museum but it is no laughing matter for the Malaysian government.
The Malaysian Ministry of Unity, Cultural, Arts and Heritage and the Museum Department are now caught with their tails in between the legs. They must confront this culture coup earnestly and they must be transparent about the direction or the lack of it of where we are heading. This is important if the authority is to be taken seriously as the guardian of our museums and the repository of our national heritage and heirloom. Heritage loving Malaysians are disappointed that valueless Peranakan artifacts are now in the hands of foreigners and we should demand that the same authority in Malaysia adopt a more proactive stance to champion local heritage.
For centuries, Malaysian states like Malacca, Penang and as far as Kelantan were some of the early points of entry for chinese immigrants who came here to work. They subsequently assimilated with the locals to form this unique culture we are come to call Peranakan, or the not so politically correct term - Baba & Nyonya.
Singapore or Temasik was then just the occasional pirate hideouts. Thus it is not ridiculous to stake claim that Tanah Melayu is the rightful birthplace of the Peranakan and its heritage.
Countless thesis and articles from local and foreign universities have critiqued its unique racial composition and highlighted the role they in Malaysian society. When it fits the fancy of the same authority especially when elections or Lunar New Year are near, they are exemplified for their multi racial outlook and the multi cultural practices.
The time has come to call for greater recognition for the community besides the casual complimentary.
There is a popular Baba and Nyonya Museum operated by Chan Kim Lay and his family in Malacca. It is a favorite with tourists who are willing to pay top dollars to see first hand culture, handi works and architecture associated with the peranakan. In the late 90s there were talks about a Jabatan Museum project to build a similar Peranakan Museum along the same Heeren Street. Nothing came out of it and as we all know now -Singapore has beaten us to it.
It is not an exaggeration if we consider this seemingly "oversight" a tip of the iceberg. We have new archeological finds and reveal fascinating insights about 'A Famosa' fortress and its two unearthed Portuguese bastions in Malacca. Yet Jabatan Muzium and the state government enthusiasm is found wanting. Lembah Bujang, Kedah with its 1000 year old cendis around Gunung Jerai are left neglected although conservationists have acknowledged that Lembah Bujang is in the same league with Angkor Wat and Borobodur. However, no proper recognition or planning is forthcoming and this historical treasure is just accorded a brief mention in tour itinenaries, if at all.
Malaysians should not lament that Malaysia has not historical attractions to offer. The truth is the Ministry responsible for our heritage and culture are NOT bold enough to embrace the wealth that our multicultural and multi racial society has to offer. It continues to hide under a bigoted 'turtle shell' that brushed aside the multi-ethnicity and historical treasures laying idle across the country.
April 24, 2008
Related Reading
Singapore pays tribute to Peranakan culture with new museum.
The Star Apr. 24, 08
By DEEPIKA SHETTY
A new Peranakan museum in Singapore showcases more than 1,200 items of Straits Chinese artefacts and tells the stories behind them. MUSEUMS are much more than about items on display these days. They are about the stories behind the things as well.
Take the S$12mil (RM27.8mil) boutique Peranakan Museum, which opens this Saturday in what was once the Tao Nan School in Armenian Street. Work on it started just over two years ago.
The S$12mil (RM27.8mil) boutique Peranakan Museum, in what was once the Tao Nan School in Armenian Street, Singapore.
The world’s most comprehensive collection of Straits Chinese, or Peranakan artefacts, it contains more than 1,200 items showcasing this unique South-East Asian culture.
The Peranakan community began with early Chinese immigrants in Malacca, Penang and Java adopting local customs and marrying local Malay women.
Peranakans, famed for sarong kebaya (embroidered blouse-and-batik ensemble), kueh (cake) and feisty bibik (matriarch), began to live a blend of Malay and Chinese lifestyles peppered with British and Dutch influences. The items on show reflect these influences and range from intricately beaded shoes to a grand wedding bed. Also on display is the largest Peranakan beadwork tablecloth, created using one million beads.
The treasures are often all the more precious for their “true blue” individual histories.
That is something Dr Kenson Kwok, director of the Asian Civilisations Museum which is developing and operating the Peranakan Museum project, can attest to.
Late 19th or early 20th century Peranakan bridal garment made of silk and gold thread.
About 10 years ago when a visitor from Penang walked into his office asking for him, Dr Kwok almost turned her away.
“She said her mother had all these nyonya things which she wanted to give to the museum,” he says. He adds with a laugh that he was not convinced and did not take her seriously at first.
At that time, the Asian Civilisations Museum had only a small section devoted to the Straits Chinese past. But the woman was persistent and urged him to fly to Penang to take a look at some of the work.
“I flew to Penang and the minute I saw the kamcheng (covered container which the Peranakans used to store and serve food, water or pickles), I knew we had something special.
“It was so precious that I hand-carried it back to Singapore. It weighs more than 5kg and I had it on my lap all through,” he says.
Today, the kamcheng, which dates back to the late 19th century and is worth over S$100,000 (RM230,000), occupies pride of place in the Food and Feasting Gallery of the Peranakan Museum – one of 10 themed galleries housed in the building. These are spread over a floor area of 4,000sqm with a display space of 1,500sqm.
Also in the Food and Feasting gallery is a set of eight dining chairs with English-style carving which would have been done by Chinese craftsmen, and which Dr Kwok found in a junk shop toilet. “We managed to find a full set and they were in pretty good condition,” he says.
However, the museum is not just about viewing displays, but having hands-on involvement as well. Some exhibits include interactive components. These include touchable displays at a Peranakan kitchen, wedding and beading activities, and a multimedia activity where children can dress up in Peranakan costume electronically.
The museum’s galleries range from one devoted to weddings to others that cover the process of growing up, religious beliefs, food and feasting, conversations and public life. The Bim Poh Lenggang(ceremonial handkerchief) used during the traditional 12-day Peranakan wedding. The bride wore the handkerchief by wearing the ring around the fourth finger of her left hand.
Visitors will get an insight into a traditional Peranakan wedding – an elaborate 12-day affair filled with rituals and ceremonies – and also of the chiu thau ceremony, a rite of purification and initiation into adulthood, for example.
The museum wants to engage people of all ages. Says curator Randall Ee: “We want people to live through those times.” – The Straits Times, Singapore / Asia News Network
For more information, go to www.peranakanmuseum.sg.
The Malaysian Ministry of Unity, Cultural, Arts and Heritage and the Museum Department are now caught with their tails in between the legs. They must confront this culture coup earnestly and they must be transparent about the direction or the lack of it of where we are heading. This is important if the authority is to be taken seriously as the guardian of our museums and the repository of our national heritage and heirloom. Heritage loving Malaysians are disappointed that valueless Peranakan artifacts are now in the hands of foreigners and we should demand that the same authority in Malaysia adopt a more proactive stance to champion local heritage.
For centuries, Malaysian states like Malacca, Penang and as far as Kelantan were some of the early points of entry for chinese immigrants who came here to work. They subsequently assimilated with the locals to form this unique culture we are come to call Peranakan, or the not so politically correct term - Baba & Nyonya.
Singapore or Temasik was then just the occasional pirate hideouts. Thus it is not ridiculous to stake claim that Tanah Melayu is the rightful birthplace of the Peranakan and its heritage.
Countless thesis and articles from local and foreign universities have critiqued its unique racial composition and highlighted the role they in Malaysian society. When it fits the fancy of the same authority especially when elections or Lunar New Year are near, they are exemplified for their multi racial outlook and the multi cultural practices.
The time has come to call for greater recognition for the community besides the casual complimentary.
There is a popular Baba and Nyonya Museum operated by Chan Kim Lay and his family in Malacca. It is a favorite with tourists who are willing to pay top dollars to see first hand culture, handi works and architecture associated with the peranakan. In the late 90s there were talks about a Jabatan Museum project to build a similar Peranakan Museum along the same Heeren Street. Nothing came out of it and as we all know now -Singapore has beaten us to it.
It is not an exaggeration if we consider this seemingly "oversight" a tip of the iceberg. We have new archeological finds and reveal fascinating insights about 'A Famosa' fortress and its two unearthed Portuguese bastions in Malacca. Yet Jabatan Muzium and the state government enthusiasm is found wanting. Lembah Bujang, Kedah with its 1000 year old cendis around Gunung Jerai are left neglected although conservationists have acknowledged that Lembah Bujang is in the same league with Angkor Wat and Borobodur. However, no proper recognition or planning is forthcoming and this historical treasure is just accorded a brief mention in tour itinenaries, if at all.
Malaysians should not lament that Malaysia has not historical attractions to offer. The truth is the Ministry responsible for our heritage and culture are NOT bold enough to embrace the wealth that our multicultural and multi racial society has to offer. It continues to hide under a bigoted 'turtle shell' that brushed aside the multi-ethnicity and historical treasures laying idle across the country.
April 24, 2008
Related Reading
Singapore pays tribute to Peranakan culture with new museum.
The Star Apr. 24, 08
By DEEPIKA SHETTY
A new Peranakan museum in Singapore showcases more than 1,200 items of Straits Chinese artefacts and tells the stories behind them. MUSEUMS are much more than about items on display these days. They are about the stories behind the things as well.
Take the S$12mil (RM27.8mil) boutique Peranakan Museum, which opens this Saturday in what was once the Tao Nan School in Armenian Street. Work on it started just over two years ago.
The S$12mil (RM27.8mil) boutique Peranakan Museum, in what was once the Tao Nan School in Armenian Street, Singapore.
The world’s most comprehensive collection of Straits Chinese, or Peranakan artefacts, it contains more than 1,200 items showcasing this unique South-East Asian culture.
The Peranakan community began with early Chinese immigrants in Malacca, Penang and Java adopting local customs and marrying local Malay women.
Peranakans, famed for sarong kebaya (embroidered blouse-and-batik ensemble), kueh (cake) and feisty bibik (matriarch), began to live a blend of Malay and Chinese lifestyles peppered with British and Dutch influences. The items on show reflect these influences and range from intricately beaded shoes to a grand wedding bed. Also on display is the largest Peranakan beadwork tablecloth, created using one million beads.
The treasures are often all the more precious for their “true blue” individual histories.
That is something Dr Kenson Kwok, director of the Asian Civilisations Museum which is developing and operating the Peranakan Museum project, can attest to.
Late 19th or early 20th century Peranakan bridal garment made of silk and gold thread.
About 10 years ago when a visitor from Penang walked into his office asking for him, Dr Kwok almost turned her away.
“She said her mother had all these nyonya things which she wanted to give to the museum,” he says. He adds with a laugh that he was not convinced and did not take her seriously at first.
At that time, the Asian Civilisations Museum had only a small section devoted to the Straits Chinese past. But the woman was persistent and urged him to fly to Penang to take a look at some of the work.
“I flew to Penang and the minute I saw the kamcheng (covered container which the Peranakans used to store and serve food, water or pickles), I knew we had something special.
“It was so precious that I hand-carried it back to Singapore. It weighs more than 5kg and I had it on my lap all through,” he says.
Today, the kamcheng, which dates back to the late 19th century and is worth over S$100,000 (RM230,000), occupies pride of place in the Food and Feasting Gallery of the Peranakan Museum – one of 10 themed galleries housed in the building. These are spread over a floor area of 4,000sqm with a display space of 1,500sqm.
Also in the Food and Feasting gallery is a set of eight dining chairs with English-style carving which would have been done by Chinese craftsmen, and which Dr Kwok found in a junk shop toilet. “We managed to find a full set and they were in pretty good condition,” he says.
However, the museum is not just about viewing displays, but having hands-on involvement as well. Some exhibits include interactive components. These include touchable displays at a Peranakan kitchen, wedding and beading activities, and a multimedia activity where children can dress up in Peranakan costume electronically.
The museum’s galleries range from one devoted to weddings to others that cover the process of growing up, religious beliefs, food and feasting, conversations and public life. The Bim Poh Lenggang(ceremonial handkerchief) used during the traditional 12-day Peranakan wedding. The bride wore the handkerchief by wearing the ring around the fourth finger of her left hand.
Visitors will get an insight into a traditional Peranakan wedding – an elaborate 12-day affair filled with rituals and ceremonies – and also of the chiu thau ceremony, a rite of purification and initiation into adulthood, for example.
The museum wants to engage people of all ages. Says curator Randall Ee: “We want people to live through those times.” – The Straits Times, Singapore / Asia News Network
For more information, go to www.peranakanmuseum.sg.
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